This study explored parental mentalization processes as they unfolded during a sculpting task administered to fathers of toddlers. Parental mentalization—the parent’s ability to understand behavior based on its underlying mental states —is considered crucial within parent–child relationships and child development. Eleven Israeli first-time fathers of children aged 2–3 were asked to sculpt a representation of themselves with their child using clay. Following the task, the fathers were interviewed while observing the sculpture they had created. Qualitative thematic analysis integrated three types (...) of data—video footage of the sculpting processes, the sculptures themselves, and the transcripts of the post-sculpting interviews. By focusing on data extracts relating to mentalization processes, three main aspects of the clay-sculpting task and interview were identified as processes that either preceded controlled mentalization instances and/or related to their underlying dynamics: discussing the sculpting process elicited the father’s curiosity and wonder; observing the sculpture/sculpting process revealed gaps in paternal representations; and the preplanning of the sculptures sparked non-verbal exploration of metaphors and symbolism. Special attention was given, in the analysis, to the interplay between verbal and non-verbal aspects of mentalization as they appeared in the metaphorical representations that arose through the sculpting process. Comparing this sample to a previous sample of mothers who were given the same task, similarities and differences were explored, with specific reference to topics of embodiment, gender roles, paternity leave, and an active approach in art therapy. The discussion indicates that clay sculpting may offer unique insight into implicit parental mentalization. Possible clinical applications are discussed, with reference to attachment theory and clinical art therapy approaches. (shrink)

Argues that Nietzsche tried to create a specific literary character in his writings and discusses the paradoxes of his work.

Negotiating the relation between divine transcendence and divine immanence lies at the heart of Maimonides' Guide of the Perplexed and of Kierkegaard's philosophical works. The purpose of the paper is to explore the manners in which they do so. I argue that despite various differences between them, both engage with the tension between divine transcendence and immanence by turning away from objectivity to subjectivity and, moreover, by placing paradox, riddle and secret at the heart of their philosophical works. In other (...) words, I argue that they do not attempt to solve or dissolve the great paradox of God's immanent transcendence but to present it in its most acute forms as the paradox within which the religious life is lived. (shrink)

Neither art nor philosophy was kind to beauty during the twentieth century. Much modern art disdains beauty, and many philosophers deeply suspect that beauty merely paints over or distracts us from horrors. Intellectuals consigned the passions of beauty to the margins, replacing them with the anemic and rarefied alternative, "aesthetic pleasure." In Only a Promise of Happiness, Alexander Nehamas reclaims beauty from its critics. He seeks to restore its place in art, to reestablish the connections among art, beauty, and desire, (...) and to show that the values of art, independently of their moral worth, are equally crucial to the rest of life.Nehamas makes his case with characteristic grace, sensitivity, and philosophical depth, supporting his arguments with searching studies of art and literature, high and low, from Thomas Mann's Death in Venice and Manet's Olympia to television. Throughout, the discussion of artworks is generously illustrated.Beauty, Nehamas concludes, may depend on appearance, but this does not make it superficial. The perception of beauty manifests a hope that life would be better if the object of beauty were part of it. This hope can shape and direct our lives for better or worse. We may discover misery in pursuit of beauty, or find that beauty offers no more than a tantalizing promise of happiness. But if beauty is always dangerous, it is also a pressing human concern that we must seek to understand, and not suppress. (shrink)

For much of its history, philosophy was not merely a theoretical discipline but a way of life, an "art of living." This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and Foucault. Each of (...) these writers has used philosophical discussion as a means of establishing what a person is and how a worthwhile life is to be lived. In this wide-ranging, brilliantly written account, Alexander Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault. Why does each of these philosophers—each fundamentally concerned with his own originality—return to Socrates as a model? The answer lies in the irony that characterizes the Socrates we know from the Platonic dialogues. Socratic irony creates a mask that prevents a view of what lies behind. How Socrates led the life he did, what enabled or inspired him, is never made evident. No tenets are proposed. Socrates remains a silent and ambiguous character, forcing readers to come to their own conclusions about the art of life. This, Nehamas shows, is what allowed Montaigne, Nietzsche, and Foucault to return to Socrates as a model without thereby compelling them to imitate him. This highly readable, erudite study argues for the importance of the tradition within Western philosophy that is best described as "the art of living" and casts Montaigne, Nietzsche, and Foucault as the three major modern representatives of this tradition. Full of original ideas and challenging associations, this work will offer new ways of thinking about the philosophers Nehamas discusses and about the discipline of philosophy itself. (shrink)

Beschreibung der Persönlichkeit und des Lebens Immanuel Kants, seiner vorkritischen Schriften, der Theorie der Erkenntnis, der praktischen Philosophie sowie der Ästhetk und Theologie. Nachdruck des Originals von 1916.

In the field of philosophy, Plato's view of rhetoric as a potentially treacherous craft has long overshadowed Aristotle's view, which focuses on rhetoric as an independent discipline that relates in complex ways to dialectic and logic and to ethics and moral psychology. This volume, composed of essays by internationally renowned philosophers and classicists, provides the first extensive examination of Aristotle's Rhetoric and its subject matter in many years. One aim is to locate both Aristotle's treatise and its subject within the (...) more general context of his philosophical treatment of other disciplines, including moral and political theory as well as poetics. The contributors also seek to illuminate the structure of Aristotle's own conception of rhetoric as presented in his treatise. The first section of the book, which deals with the arguments of rhetoric, contains essays by M. F. Burnyeat and Jacques Brunschwig. A section treating the status of the art of rhetoric features pieces by Eckart Schütrumpf, Jürgen Sprute, M. M. McCabe, and Glenn W. Most. Essays by John M. Cooper, Stephen Halliwell, and Jean-Louis Labarrière address topics related to rhetoric, ethics, and politics. The final section, on rhetoric and literary art, comprises essays by Alexander Nehamas and André Laks. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

ZusammenfassungIm vorliegenden Artikel wird das von historischer Seite wenig erforschte Ereignis der Magdalenenflut von 1342 unter Einbeziehung administrativer Überlieferung, vor allem aus Urkunden und Rechnungsbüchern, und durch Heranziehung naturwissenschaftlicher Proxydaten, insbesondere aus Baumring-Niederschlagsrekonstruktionen, neu ausgeleuchtet. So gelingt es nicht nur, einen wesentlich differenzierteren Verlauf einer insgesamt zweijährigen Hochwasserkatastrophe mit peaks im Februar und Juli 1342, aber auch im Juli 1343 zu gewinnen, sondern auch mehrmonatige Trockenphasen im März bis Juni 1342 erstmals zu fassen, die den (auch in Schriftquellen nachgewiesenen) Erosionseffekt (...) der Starkregenfälle im Juli 1342 besser erklären als bislang. Dabei wird klar, dass 1342/43 ein multifaktorieller compound event vorliegt, der erst durch die Koinzidenz natürlicher Extremereignisse mit sozio-ökonomischen Faktoren zur Katastrophe führt. Die bewusste Ausweitung des Quellenspektrums lässt beispielsweise erstmals eine überregionale Teuerung bei Lebensmitteln im Nachklang der Flutereignisse feststellen, die aber wesentlich im zufälligen Auftreten des Hochwassers noch vor der Getreideernte begründet liegt. Der Fokus des Beitrags liegt auf infrastrukturellen Anpassungsmaßnahmen, etwa veränderten Brückendesigns (am Bsp. der Balduinbrücke in Koblenz) und großer Wasserbaumaßnahmen (am Beispiel des Donaudurchstichs von Oberalteich), oder normativen Reaktionen wie den Würzburger Polizeisätzen 1342/43 und der Errichtung von Deichbaugemeinschaften am Niederrhein, die zumindest als indirekte Reaktionen auf die Hochwasserereignisse verstanden werden müssen. Diese technisch-normativen Adaptionsvorgänge können einerseits im Luhmann’schen Sinn als Umweltbeobachtungen zweiter Ordnung verstanden werden, andererseits erläutern sie die Bedeutung von natürlichen Extremereignissen als Taktgeber für vormoderne Infrastrukturentwicklung aufgrund ihrer als kritisch erlebten, ungenügenden Ausgestaltung oder gar ihres völligen Fehlens. Nordalpin sehen wir nach 1342/43 im Bereich des Hochwasserschutzes zaghafte Anfänge obrigkeitlicher Daseinsvorsorge jenseits lokaler Zuständigkeiten. (shrink)

The aim of interpretation is to capture the past in the future: to capture, not to recapture, first, because the iterative prefix suggests that meaning, which was once manifest, must now be found again. But the postulated author dispenses with this assumption. Literary texts are produced by very complicated actions, while the significance of even our simplest acts is often far from clear. Parts of the meaning of a text may become clear only because of developments occurring long after its (...) composition. And though the fact that an author means something may be equivalent to the fact that a writer could have meant it, this is not to say that the writer did, on whatever level, actually mean it.Alexander Nehamas, professor of philosophy at the University of Pittsburgh, has written articles on ancient Greek philosophy, literary theory, Nietzsche and Thomas Mann. (shrink)

Associations of Politics and Nature: Cuban Corals in East‐Berlin, 1964–1974. The concept of association is centre stage in ecological studies on coral reefs. It describes the specific composition of diverse coral species in a given reef section that depends, among other factors, on the type of surf and the form of the seabed. ‘Association’ is also an important concept in Bruno Latour's plea for transcending the division between humans and objects in sociological analysis. Drawing on the idea of association, the (...) article explores the history of the corals that were moved from the northern Cuban coast to East‐Berlin in the late 1960s and worked into a coral reef diorama exhibited in East Berlin's Natural History Museum in 1974. By focusing on the mobilisation of the corals between Cuba and the GDR as well as within the museum, I will show that far from being sharply defined objects of nature, the corals collected in Cuba and displayed in East‐Berlin must be understood as parts of constantly changing heterogeneous associations of organisms, non‐organic material, national politics, postcolonial economies and institutional politics. (shrink)